Since the year 2000, 10 films not in the English language have been nominated for Best Original Screenplay, with two of them winning ( Talk to Her and Parasite). But it snagged a Best Original Screenplay nomination for its inventiveness on the page, even if the Academy ignored it elsewhere. Despite The Worst Person in the World taking home prizes from critics' groups and festivals, most specifically for its lead actress Renate Reinsve (who won Best Actress at the Cannes Film Festival), the film otherwise came up short at Oscars. There's not much traditional prestige to be found in a film like that. But when it comes down to it, this is a coming of age film about a regular, every-day person that is not in the English language. The Worst Person in the World features a unique 12-chapter structure (plus a prologue and epilogue) and perfectly finds the right mixture of dark comedy and emotional realism. It makes complete sense as a nominee in this category. Outside of Best International Feature, this was the film's only nomination. One of the nominees for Best Original Screenplay is The Worst Person in the World, written by the film's director Joachim Trier and Eskil Vogt. It is the one spot where movies that are actually daring and bold can rightfully be recognized. In this category, comedies, animated films, non-English language films, quirky indies, and formally inventive material can find a home.
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While the category can have its fair share of standard Oscar fare, Best Original Screenplay consistently includes films of a variety of genres and tones that do not show up anywhere else on the full slate of nominations, or very few other places if they do. RELATED: 8 Categories The Oscars Should Add, According to Reddit
That category is Best Original Screenplay. It's the one category at the Academy Awards where what kind of film can be nominated is wide open. One category, though, always presents some headaches for prognosticators. Sure, they may be surprised one film got in over another, but that other film was likely considered a possible nominee. Because their tastes are so easy to pigeonhole, Oscar prognostication has become a cottage industry and rarely does anyone find themselves shocked by a nomination. Luckily, The Power of the Dog and West Side Story also happen to be terrific films, but that often does not matter when it comes to garnering attention from the Academy. Each has an air of classiness to them that makes them seem important. The Power of the Dog and West Side Story share almost nothing in common - be it setting, tone, or aesthetic - but both pictures still check all the Academy's boxes. While the full slate of nominees can vary from genre to genre, the core of this mindset exists in nearly all of them. Movies that score a lot of Oscar nominations in the major categories often feature a strong artistic vision without crossing a line into being too avant-garde or alienating. They prefer to honor films that focus on important topics, whether political or social, and are typically dramatic without being overly dour. It is no secret the Academy of Motion Picture Arts and Sciences tends to favor a specific kind of movie.
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